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Temperament

This article is translated from Chinese by LLM.

Despite checked and polished the translation, some inaccuracies may be included.

This article is part of Myriad Dreamin Blog 2025-05.



Pythagorean Tuning²

Starting from a base note³, Pythagoras discovered that the interval with ratio 1:2 is most harmonious, called the perfect octave. Next, the interval with ratio 2:3 is also harmonious, called the perfect fifth. The principle is: simpler ratios yield more harmonious intervals. If we let 𝑟=3/2 then:

Figure 1: Pythagorean Tuning

Twelve-Tone Equal Temperament

Pythagorean tuning works well but isn't ideal for traditional composition and performance. Specifically, C♯ and D♭ have different pitches, causing difficulties in transposition, modulation, and chord derivation. To solve this, musicians developed twelve-tone equal temperament. Its principle is dividing an octave into 12 equal intervals, each with ratio 21/12. Letting 𝑟=21/12, we get:

Figure 2: Twelve-Tone Equal Temperament

The trade-off is imperfect intervals, e.g. the perfect fifth becomes 1.4983𝐶 instead of 1.5𝐶.

  1. In DAWs like FL Studio, this note is usually A, and 𝐴=440 Hz

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